|
Post by dem on Nov 2, 2008 12:45:49 GMT
H. P. Lovecraft - The Lurking Fear (Panther 1964, 1970) Cover illustration: Michael McInnerney The Lurking Fear The Shunned House In The Vault Arthur Jermyn Cool Air The Moon-Bog The Nameless City The Unnameable The Picture In The House The Terrible Old Man The Hound The Shadow Over Innsmouth The Shadow Out Of TimeFor the most part this is early HPL, full-on Poe-esque horror as yet uncluttered by the Cthulhu Mythos. As such, many critics seem to regard this as his second division stuff which is probably true. Personally, the closer he stays to the trad horror approach, the more I like him as is certainly the case with The Hound, The Picture In The House, Cool Air, In The Vault and elsewhere, Pickman's Model and the barking Herbert West: Reanimator. There's no accounting for taste. The Picture In The House: New England. The narrator is caught in a storm as he cycles home to Arkham and takes shelter in what he takes to be a deserted house. As he eagerly peruses the library he finds a rare book which always falls open on the same page - a depiction of a cannibal feast. Presently he’s joined by the owner, a red faced, white bearded old timer in unlikely robust health. This curious individual positively drools over the nasty illustration - it gives him a “tickle” and wants to know if it does the same for his guest - and his conversation is decidedly ghoulish, littered with references to people who’ve gone missing in these parts down the years. As he speaks, a red patch spreads across the ceiling …. Despite an ending I find disappointingly abrupt, one of my favourite of HPL’s traditional horrors for that unspeakably pervy old git. In The Vault: George Birch, the village undertaker of Peck Valley is locked in the vault overnight. He stacks coffins one atop the other with a view to climbing to freedom but, unfortunately the uppermost one houses the carcass of old Aspath Sawyer, a singularly vindictive character with “a tenacious memory for wrongs real or fancied”. The less than diligent Birch has given him just cause for retribution … The Hound: The narrator and St. John, “wearied by the commonplace of a prosaic world where even the joys of romance and adventure soon grew stale”, enthusiastically launch themselves into a new career - as grave robbers. They set up a secret underground museum where they can gloat over their hideous finds and savour the rank stench of corruption undisturbed. Learning of a fellow ghoul five centuries buried in a Dutch churchyard, they resolve to dig him up and get their hands on the powerful amulet he stole - “the ghastly soul symbol of the corpse-eating cult of inaccessible Leng.” Within a week of their triumphant return to England they hear scratching at their windows, a faint baying as first heard when they exhumed the tomb-looter and the flapping of hordes of bat-wings. Whatever it is that seeks them attacks St. John and reduces him to a mangled corpse. The terrified narrator realises his only hope is to return the amulet ….. Cool Air: “You ask me to explain why I am afraid of a draught of cool air; why I shiver more than others upon entering a cold room, and seem nauseated and repelled when the chill of evening creeps through the heat of a mild autumn day”. New York. Why is the brilliant Dr. Munoz holed up in a decrepit boarding house and how comes his room is always icy cold and reeks of ammonia? All is revealed when the refrigeration pump gives up the ghost and there is not enough ice in the local shops to keep him chilled. Lovecraft’s very own The Facts In The Case Of M. Valdemar. The Terrible Old Man: Ricci and Silva make the fatal mistake of trying to rob the “pathetic” ex- sea captain in his home as he converses with his beloved bottle collection. Czanec, waiting outside in the car, assumes that the screams are the old mans as the boys torture him into revealing the whereabouts of his valuables. He wishes they’d go easy on him. The Moon-Bog: Having made his fortune in the States, Denys Barry emigrates to Ireland, the home of his ancestors and buys the family castle in Kilderry, C. Meath. His doom is sealed when, against the pleas of the supposedly superstitious and ill-educated villagers, he makes plans to drain the bog which reputedly conceals a sunken city. The locals evacuate en masse and Barry hires outside laborers with no knowledge of the ‘curse’. On the eve of the operation the guardians of the city rise from the morass and, in emulation of the Pied-Piper, lead the party into the bog where they’re transformed into hideous frog creatures.
|
|
|
Post by benedictjjones on Nov 2, 2008 13:29:12 GMT
i think i'd have to be one of those critics in relation to some of his early stories although i love the hound which is in this and have only read cool air online.
|
|
|
Post by H_P_Saucecraft on Nov 21, 2008 3:24:58 GMT
All good stories, but i can't comment on the shunned house, never been able to find a lovecraft paperback with that in. Will have to look out for The Lurking Fear. Love the cover, although I can't help being reminded of one of those whack-a-mole games Dave.
|
|
|
Post by Craig Herbertson on Nov 21, 2008 5:42:55 GMT
|
|
|
Post by dem on Nov 21, 2008 9:24:11 GMT
It's not quite the same thing I know, but you can read The Shunned House online at dagonbytes Favourite HPL cover for me is Tim White's depiction of Pickman's Model for this greatest hits collection! H. P. Lovecraft Omnibus III - The Haunter Of The Dark (Grafton, 1985, 1986) Illustration: Tim White Introduction - August Derleth
The Outsider The Rats In The Walls Pickman’s Model The Call Of Cthulhu The Dunwich Horror The Whisperer In Darkness The Colour Out Of Space The Haunter Of The Dark The Thing On The Doorstep The Music Of Erich Zann The Lurking Fear The Picture In The House The Shadow Over Innsmouth The Shadow Out Of Time
|
|
|
Post by Craig Herbertson on Nov 21, 2008 10:14:03 GMT
I definitely had one and two but three?
|
|
|
Post by benedictjjones on Nov 21, 2008 10:37:58 GMT
^i have those! and probably think i like the cover of omnibus 1 best (there was also the 'new tales of mythos') done in a similar style.
|
|
|
Post by mattofthespurs on Nov 21, 2008 11:06:19 GMT
I have those too. 3 in total from Lovercraft, a Derleth one done in the same style plus a Ramsey Campbell antho also done in the same style.
|
|
|
Post by benedictjjones on Nov 21, 2008 11:15:30 GMT
^my lovecraft one's list a different publisher on the spine to the 'new mythos' volume which is quite odd (i'm guessing just earlier edition and the companies are really the same people...)
|
|
|
Post by mattofthespurs on Nov 21, 2008 11:40:55 GMT
All five six of mine are from Grafton although I suspect that they and Harper Collins (who re-printed them) are one of the same.
Tim White also did the cover for Derleth's "The Trail Of Cthulhu" which is exactly the same in style to the other four volumes on the front and rear covers and the spine.
Nearly forgot "Mask Of Cthulhu" by Derleth which again features a cover by Tim White and again is exactly the same as the other volumes in this 'series'.
|
|
|
Post by benedictjjones on Nov 21, 2008 11:59:12 GMT
^HAVEN'T SEEN THE OTHERS IN THE SERIES, I'LL HAVE TO HAVE A LOOK. YES I THINK MY mythos one is grafton and the others HC reprints.
|
|
|
Post by bradstevens on Nov 21, 2008 17:23:57 GMT
THE LURKING FEAR actually contains 4 stories missing from Grafton's supposedly complete three-volume collection of Lovecraft's work: THE SHUNNED HOUSE, IN THE VAULT, COOL AIR and THE TERRIBLE OLD MAN.
I'd also highly recommend the collection entitled THE HORROR IN THE MUSEUM, which contains 24 stories that Lovecraft worked on anonymously. Many of these were entirely rewritten by Lovecraft, retaining (as August Derleth points out in his introduction) "only the plot or central theme of the author whose by-line appeared over the work - and not even this in every case".
|
|
|
Post by lobolover on Nov 21, 2008 17:40:49 GMT
The Shunned house I have to revisit sometimes,but its the one with the "elbow".
|
|
|
Post by allthingshorror on Nov 21, 2008 21:31:03 GMT
Here's another cover - this one much more blander. Panther Books 1964.
|
|
|
Post by benedictjjones on Nov 27, 2008 18:43:10 GMT
yes i always wondered why the supposedly complete HC/grafton 3 book set missed out several stories yet included fragments and 'early tales' whereas Wordsworth Edition 'The Loved Dead' was lovely for filling in the gaps with stories that he co-wrote, gave ideas for and ghost wrote.
|
|