The Third Fontana Book of Great Horror Stories ed. by Christine Bernard (Fontana, March, 1968)
"Spine chilling horror! 11 grisly masterpieces of the macabre!"
R. C. Cook - Green Fingers
Stanley Ellin - The Speciality Of The House
E. F. Benson - The Room In The Tower
David Ely - The Academy
J. D. Beresford - Cut-throat Farm
Henry James - The Romance Of Certain Old Clothes
Roald Dahl - Poison
H. R. Wakefield - Lucky's Grove
R. Chetwynd-Hayes - Housebound
H. P. Lovecraft & August Derleth - The Shuttered Room
Rudyard Kipling - At The End Of The Passage
I've lazily copped Dem's contents list from the old place, added my few bits, and now I'll leave Dem' to grab his other bits from there, too.
The Room in the Tower by E F Benson: The young man is an habitual dreamer, but it is one particular recurring dream that troubles him. He dreams that he visits a house, and has tea with the family in the garden; and then at the end, the lady of the house tells him that he will be shown to his room: he has been given the room in the tower. He dreams this at least once a month for many years; and, strangely, as the years pass, changes appear in the family: a daughter disappears, is married; the lady of the house grows grey. Then one day he finds himself entering the gates of that house. E F Benson, credited with the invention of the psychological horror story, created a masterpiece in this one. It is genuinely frightening, seems only to improve with age, and must bear favourable comparison with Henry James's
The Turn of the Screw.
The Romance of Certain Old Clothes by Henry James: The widowed Mrs Wingrave has two daughters, Rosalind and Perdita. When their brother returns from England, he brings with him his friend Arthur Lloyd, and it soon becomes clear that it's only a matter of time before he marries one of the girls. He does, but soon after the birth of their first child, the first Mrs Lloyd dies. She abjures her husband not to let her sister have her fine wardrobe of clothes, to keep them safe for her daughter. As she has anticipated, her sister does get around Arthur, and in time they are wed; and when his fortune begins to fail, she complains terribly that she cannot enjoy at least the luxury of the fine clothes that her sister before her wore. A tale of vengeance from beyond the grave...or the wardrobe. Engaging, but hardly horrific.
Poison by Roald Dahl: Timber gets home to find Harry Pope lying in bed, in a state of terror. A krait is lying under the sheets, on Harry's stomach, and any movement might wake it and bring a horrible death to Harry. Timber immediately phones for Dr Ganderbai's help. The story is well written, and Dahl's stories were inevitable then - as is the end of this.
At the End of the Passage by Rudyard Kipling: This account of four Englishmen in India who get together once a week to play cards is less a study in horror than despair. Hummil has been suffering from sleeplessness and when he does sleep it's to dream of a blind face chasing him down corridors, a nightmare so terrifying that he sleeps with a rising spur in his bed to wake him if he should move in the night. He begs Spurstow to give him something to help him sleep - but it must be something that will send him straight into a deep, dreamless sleep, not into that nightmare.
There are moments of horror - Mottram leaning over a dead colleague's face and muttering 'You lucky, lucky devil!' - but the tiny central story of the nightmare is just a spark in this impressive account of heat, dust, boredom and sickness in India. Compelling.
A pity that not more original stories were included in this collection. Cook's
Green Fingers is an unexpectedly strong story and gets the collection off to a great start with its striking imagery of creatures growing from the inside out in the snow.
Benson's
The Room in the Tower and Kipling's
At the End of the Passage are two other high points. The Henry James story is a bit on the long side and really would have been better fitted to a collection of ghost stories.