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Post by Calenture on Nov 19, 2007 21:49:26 GMT
Star Books, 1987 Edited and with detailed introductions by William Pattrick The Dust Cloud by E F Benson: Benson is holidaying with a party of friends at the Combe-Martins when fellow motoring enthusiast Harry Combe-Martin tells him the story of Guy Elphinstone and how he died. Benson and Harry are both keen motorists and Harry subscribes to the belief that cars possess an independent life and personality of their own. Guy Elphinstone’s car had been “a bad-tempered beast” and Harry had been in it when Guy had driven over his own dog when it came to meet him in his driveway. Finally, Guy had run down a child then been killed when the car drove into his own gates. Since that time there have been a number of people who have witnessed supernatural phenomena along the stretch of road where the fatal accident occurred. The curious thing is that the sightings vary; different witnesses have heard or seen things, but rarely the same things or at the same time. Not the best Benson story that I’ve read by a long chalk, but I guess I’ve come to expect a lot from his stories. The Demon Lover by Elizabeth Bowen: London during the Blitz and Mrs Drover and her family have moved to the country; returning to fetch some things during a showery day in August she enters the familiar street. Against the next batch of clouds, already piling up ink-dark, broken chimneys and parapets stood out. In her once familiar street, as in any unused channel, an unfamiliar queerness had silted up; a cat wove itself in and out of railings, but no human eye watched Mrs Drover’s return. She is disturbed by the signs of her former habitation and by the atmosphere of emptiness in the house. But even more disturbing is the letter which she finds on the hall table. Dear Kathleen, You will not have forgotten that today is our anniversary, and the day we said. The years have gone by at once slowly and fast. In view of the fact that nothing has changed, I shall rely upon you to keep your promise. I was sorry to see you leave London, but was satisfied that you would be back in time. You may expect me, therefore, at the hour arranged. Until then... K.In fact, much has changed in Kathleen Drover’s life in the past twenty-five years. Yet she knows she must keep the appointment... This one worked for me because most of the threat exists in the reader’s imagination. Second Chance by Jack Finney: A lot of Finney's stories in his Clock of Time collection are about second chances when you come to think about them, but everyone knows this particular story. It was screened as one of the original Twilight Zone episodes and later remade as a part of the Twilight Zone movie. It's the one where a high school kid buys a rusted and un-roadworthy Jordan Playboy - a classic car - and completely rebuilds it, using only authentic, original Jordan Playboy parts ordered from all over the country. Then, one night, he takes it for a run along a lonely road that no-one uses any more since the new carriageway was built. And after a time he notices that there are other cars on the road around him - cars suspiciously like the one he's driving - or at least from about the same age. This isn't just one of Finney's escaping-into-the-past-to-get-away-from-the-future stories, although that element is obviously present, it comes second to a good story about love and a guy who likes living life fast and racing trains and it fits together as snugly as a jig-saw puzzle. Stephen King is an admirer of Finney's writing, and almost certainly Second Chance planted the seed for King's own Christine, just as (previously discussed here) another of Finney’s stories Contents of the Dead Man’s Pocket inspired King’s The Ledge. William Pattrick gives informative introductions to all the stories, and writes that Second Chance was also filmed for American TV's Dead of Night series (which I don't think I remember at all), for which it was adapted by Richard Matheson. Trucks by Stephen King: The guy’s name was Snodgrass and I could see him getting ready to do something crazy... He was a salesman and he kept his display bag close to him, like a pet dog that had gone to sleep. Someone else singled out that line for the Stephen King thread, I think). Everyone’s either read this or has seen the film King directed ( Maximum Overdrive, 1986) in a deliberate attempt to catch the sheer sense of fun of the horror B movie; or the TV version, Trucks (1997 – released in UK 2000). When I read it as part of the Night Shift collection, I remember being impressed by it, as with all the stories in the book. It still worked quite well, I thought, with the giant Mack trucks, possessed of a life of their own, prowling around the car parking lot in front of a diner where a handful of people are trapped. There’s a particularly good moment when a couple of the men decide to risk a journey to fetch water. But looked at now, it seems a bit lightweight, and the idea that a truck could use its horn for sending a Morse code message which only one of the people in the diner can decode stretched my credibility a bit. Stephen King will worry about this, we know.
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Post by justin on Nov 20, 2007 7:40:22 GMT
I'm sure William Kilpatrick is none other than Peter Haining.
He aldo did a Conan cash-in The Barbarian Swordsmen as Sean Rihards for Star.
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Post by dem bones on Nov 20, 2007 7:54:37 GMT
"William Pattrick""Richard Peyton"He's also in the frame for 'Ric Alexander' who edited an X-Files bandwagon-jumper, The Unexplained: Stories Of The Paranormal (Orion, 1998) and a technology-gone-mad collection Cyber-Killers (Gollancz, 1998) Any more?
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Post by Calenture on Nov 20, 2007 8:38:14 GMT
I'm sure William Pattrick is none other than Peter Haining. He also did a Conan cash-in The Barbarian Swordsmen as Sean Richards for Star. As I had the privilige of previewing the new Paperback Fanatic, I'd learned about the 'Sean Richards' pseudonym from your article The Rivals of Conan. I didn't know about William Pattrick, though. Funny really. When these names appear just once, then disappear, I usually think sadly "Well, there goes another flash in the pan. Here one moment, then gone, never to be heard from again. But we can't all be Peter Hainings of course."
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Post by Steve on Mar 18, 2010 13:33:30 GMT
Duel: Horror Stories of the Road ed. William Pattrick [Peter Haining], Star 1987 Haining's Railway and Sea story anthos have both had a look in so far this year but I couldn't see a thread for this, his Haynes manual of horror - or at least one version of it. Duel and other horror stories of the road had previously had an outing in hardback as Mysterious Motoring Stories (W.H. Allen 1987). Introduction The Car with the Green Lights - William Le Queux The Dust-Cloud - E. F. Benson How It Happened - Arthur Conan Doyle The Last Trip - Archie Binns The Demon Lover - Elizabeth Bowen Jay Walkers - H. Russell Wakefield The Ghost of the Model T - Betsy Emmons The Ghost Car - Ken Batten New Corner - L. T. C. Rolt 'Just Like Wild Bob' - William F. Nolan Auto Suggestion - Charles Beaumont Duel - Richard Matheson Second Chance - Jack Finney Trucks - Stephen King The Hitch-Hiker - Roald Dahl The title story will doubtless be familiar to anyone who had a television in their house when they were growing up as it was made into a TV movie by a fledgling Steven Spielberg, shown about once a week by the BBC in the 70s if my memory's anything to go by. Some choice stuff too from L. T. C. Rolt, H. Russell Wakefield, Elizabeth Bowen and Charles Beaumont, along with a couple of interesting lesser known pieces from Weird Tales. I'll be trying to flesh out these bare bones with a few thoughts over the next couple of days but, in the meantime, feel free to jump in with comments on individual stories if you feel so inclined. Haining subsequently rolled out Mysterious Motoring Stories yet again, in a revised and much expanded edition as; Death on Wheels (Souvenir 1999) Introduction - Peter Haining 1. Auto Mania: The Machinery of Death Trucks - Stephen King The Dust-Cloud - E. F. Benson Second Chance - Jack Finney Used Car - H. Russell Wakefield Duel - Richard Matheson Who’s Been Sitting in My Car? - Antonia Fraser Not from Detroit - Joe R. Lansdale 2. Motorway Madness: Murder in the Fast Lane Never Stop on the Motorway - Jeffrey Archer The Death Car - Peter Haining Night Court - Mary Elizabeth Counselman Accident Zone - Ramsey Campbell The Last Run - Alan Dean Foster The Hitch-Hiker - Roald Dahl Crash - J. G. Ballard 3. Chrome Killers: The Future Autogeddon The Racer - Ib Melchior Along the Scenic Route - Harlan Ellison Auto-da-Fé - Roger Zelazny Violation - William F. Nolan Thy Blood Like Milk - Ian Watson Is this Jeffrey Archer's first appearance on Vault?
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Post by killercrab on Mar 18, 2010 13:56:31 GMT
We can always trust you to find a new anthology angle! Nice work Steve.
ade
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Post by dem bones on Mar 18, 2010 18:29:19 GMT
Is this Jeffrey Archer's first appearance on Vault? St. Jeff Think he's been mentioned once or twice in dispatches, but even that's too often. Had that Death On Wheels from the library once and, God help me, I remember his story with it's thoroughly weedy twist ending. Rog had a crack at Duel on Vault Mk 1, but think you've already name checked the more interesting stories. I always found the ending of Elizabeth Bowen's The Demon Lover genuinely frightening - and how often can you say that about a horror story? - in much the same way as the climax to The Long Good Friday hits home. Slightly less scary, but am very fond of it anyhow, is Archie Binns' The Last Trip, probably every bit as corny as litigious Lord Archer's story, but in a good way: it has a nice Dr. Terror's House Of Horrors "all aboard for the graveyard!" feel to it. Initially, Rolt's New Corner came as something of a disappointment: i still wouldn't rate it among the very best of Sleep No More, but going back to it recently in the Ghosts & Scholars anthology it had more of an impact. There are obvious similarities to Wakefield's Thirteenth Hole At Duncaster which suggest it was intended as a tribute.
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Post by Craig Herbertson on Mar 18, 2010 19:27:39 GMT
i think he's been mentioned once or twice in dispatches, but even that's too often. dem
Quite, I baldy confess I read Kane and Able and (God this hurts) it was a well written tale of its type. I didn't know he'd done anything horrific except exist.
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Post by dem bones on Mar 18, 2010 20:23:15 GMT
With a title like Never Stop On The Motorway had hoped that we might be talking something in the vein of Alex White's typically nasty Never Talk To Strangers, but - if memory serves - it's not a horror story, more a suspense thing involving a driver pursued home by someone he (or she: I forget) takes to be a psycho.
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Post by dem bones on Sept 19, 2018 5:03:18 GMT
A. R. Tilburne The Ghost Of The Model T, Weird Tales, Nov. 1942. Betsy Emmons - The Ghost Of The Model T: ( Weird Tales, Nov. 1942). The man was stalked by a phantom, the specter of his first car. It broke Phil Barnes heart when the time came to trade in his clapped out first love, but the tenacious little car survives the scrap heap to rescue him in his hour of need. H. Russell Wakefield - Jay Walkers: ( The Clock Strikes Twelve, Arkham House, 1946). Sir Anstruther, Ghost-hunter, investigates a haunting at Pix Hill near Ledbury, Herefordshire. Over the past decade - the 'twenties - there have been six fatal accidents at the same black spot between eight and nine on the evening of September 10. Anstruther witnesses the original murder whose annual re-enactment is the cause of these later tragedies, unwary motorists swerving to avoid the tussling phantoms.
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Post by dem bones on Sept 25, 2018 8:14:42 GMT
Richard Matheson - Duel: (Playboy, April 1971). "You drift along, year after year, presuming certain values to be fixed. Like being able to drive on a public thoroughfare without somebody trying to murder you. You come to depend on that sort of thing." Mann, headed for San Francisco to conclude a business deal, somehow attracts the psychopathic hostility of a trucker hauling a huge gasoline tanker. The most linear of plots but it works perfectly. Does "Keller" make a habit of persecuting random motorists? We never find out. The episode in Chuck's Cafe - Mann eyeing the hard-nut patrons for the culprit - will likely strike a chord with anyone who ever ventured into a hostile bar or equivalent, while his reaction on turning the tables recalls Dustin Hoffman's reversion to primal brutality when his home comes under siege in Straw Dogs.
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