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Post by dem bones on Apr 28, 2008 6:25:07 GMT
Marjorie Bowen - Great Tales Of Horror (Bodley Head, 1933) Preface - Marjorie Bowen
Anon - The Grey Chamber Marjorie Bowen - The Murder Of Squire Langton J. S. Le Fanu - Sir Dominick Sarsfield Alexander Pushkin - The Queen Of Spades Anon - The Two Sisters Of Cologne Gogol - The Witch (St. John's Eve) Anon - A Ghost Of A Head Sir Arthur Conan-Doyle - The Great Keinplatz Experiment Algernon Blackwood - The Woman's Ghost Story Anon - The Doppelganger Anon - The Dead Bride Sir Walter Scott - The Tapestried Chamber W. W. Astor - Almodoro's Cupid Anon - The Skull George Macdonald - The Magic Mirror H. G. Wells - The Red Room Gaston LeRoux - In Letters Of Fire Anon - The Legend Of Duneblane Arthur Machen - The Shining Pyramid G. P. R. James - A Night In An Old Castle This anthology is notable for, not only some splendid stories, but a truly weird running order. If you read the stories as they appear in the book, you go from Gothic to contemporary to Victorian, back and forth through the centuries, and it is a very long way indeed from The Dead Bride to The Shining Pyramid, although, as Bowen points out in her preface: "It will be observed that the main, perhaps the sole, difference is one of technical skill and an increased knowledge of the spiritual and mental sources of poor Gertrude with her withered garland, and Graf Hugues with his clanking bones". Bowen was one of the filthy five heavily criticised by Peter Penzoldt in his The Supernatural In Fiction (Humanities, 2nd edition, 1955), a study also notable for outing Arthur Machen as a wanker on the grounds of The Novel Of The White Powder which, Penzoldt argues, reveals Machen's deep-rooted guilt over masturbation and it's inevitable punishment. "Before I conclude, some mention should be made of the worst type of horror tale: that containing descriptions of sadism. These stories may appear with or without the element of the supernatural, but in any case it is never more than a pretext for introducing the cheapest kind of horror. The Most famous example is probably Kipling's The Mark Of The Beast with its realistic descriptions of torture. Others are Thomas Burke's The Bird, Carl Tanzler von Cosel's Helena's Tomb, Mark Channing's The Feet and Marjorie Bowen's disgusting stories in The Bishop Of Hell
How such tales can be constantly republished in the face of the laws against pornographic literature is an unsolved mystery." The disgusting Bowen collection includes The Crown Derby Plate, The Housekeeper, The Fair Hair Of Ambroise, Florence Flannery, The Bishop of Hell, The Grey Chamber, The Avenging of Ann Leete and Kecksies - many of which can be found in collections of Best Ghost/ Best Horror stories edited by Aickman, Danby, Chetwynd-Hayes ...
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Post by lobolover on Jan 18, 2009 8:25:30 GMT
Hm-Penzoldt seems to have been quite the idiot.
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Post by dem bones on Jan 20, 2009 22:04:05 GMT
Hm-Penzoldt seems to have been quite the idiot. A very educated man and an excellent writer when it comes to ghost stories and the supernatural (which, to be fair, is what the book is supposed to be a commentary on). I'm not sure he's quite got it when he attempts a chapter on "the tale of pure horror" and i figured i'd quote from that for a cheap laugh certainly, but also as an example of how the critics have long hated this stuff. It's not just a recent, Hamlyn nasties development by any means.
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