Arrow & Legend: 1980's

dem bones
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Arrow & Legend: 1980's Feb 23, 2009 10:02:33 GMT

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Post by dem bones on Feb 23, 2009 10:02:33 GMT

Arrow / Arrow-Legend in the 'Eighties

Dennis Wheatley's death on November 10th 1977 had a disastrous effect on his career. Four decades on from his breakthrough The Devil Rides Out, fifty-nine of his titles were still in print and Wheatley could guarantee his publishers an annual million sales in the UK alone, but, even before his body was cold in the grave, his literary star seemingly plummeted overnight. It's an astonishing fall from public favour - image if Ian Fleming's James Bond novels went post-audience overnight? - and the late Bob Rothwell offers perhaps the fullest explanation for this extraordinary fall from public favour in this refreshingly honest appraisal of his hero's life and works, Dennis Wheatley – an Introduction (see the section entitled 'Out Of Print'). Although Arrow continued to reissue his big hitters up to the mid-eighties, you could see their heart wasn't really in it, as they were always straight reprints of the most recent (1979, 1980) editions. The groovy flirtation with Black Magic titles was likewise a thing of the past: I've managed to dig out a mid-eighties edition of Kramer & Sprenger's notorious Inquisition handbook, Malleus Maleficarum), but that looks about it.

I've not read anywhere near enough of these to comment upon them, but i can't help miss the old reactionary. Without Wheatley, these 'eighties Arrow paperbacks ... they seem to ..... lose something. This is not the same as saying there's nothing to get excited about on this list - far from it! Snapping up the most bankable Hamlyn 'nasties boys is obviously good business sense and any company who can boast Ramsey Campbell and Guy N. Smith on their roster would struggle not to be at least a bit interesting. Roofworld first alerted many of us to the major talent that is Christopher Fowler, Chris Morgan's Dark Fantasy - featuring that incendiary introduction - is an excellent anthology and some of those I'd not heard of until ten minutes ago sound choice, notably Richard Setlowe's The Experiment ("A human Neptune returns to the aquatic womb… a terminally ill man whose chance of survival is to live underwater as an aquatic creature.") and Andrew Neiderman's Imp ("Beneath the floorboards under Mary's feet, Imp stalks and slithers through the ooze, through the festering stench of ancient decay. His playmates are the creatures of the night - his toys their twisted, broken bodies. As only Mary knows. Because Imp is her child, her creation, her demented, hellish vision....the evil she imprisons in the darkness below. But Imp is getting restless. There is so much out there to smell, to lick, to claw....to kill.")

As ever, this is very much a work in progress so any additions, amendments, etc. ...

Robert C. Wilson - Crooked Tree (1981)
William Katz - Visions Of Terror (1981)
Frank De Felitta - Sea Trial (1981)
Richard Setlowe - The Experiment (1982)
Robert Faulcon (Robert Holdstock) - Night Hunter 1: The Stalking (1983)
Robert Faulcon - Night Hunter 2: The Talisman (1983)
Robert Faulcon - Night Hunter 3: The Ghost Dance (1983)
Robert Faulcon - Night Hunter 4: The Shrine (1984)
Robert Faulcon - Night Hunter 5: The Hexing (1984)
Andrew Neiderman - Someone's Watching (1984)
Guy N. Smith - Manitou Doll (1985)
John Russo - Return of the Living Dead (1985)
Gary Brandner- The Brain Eaters (1985)
Gary Brandner- The Howling (1985)
Andrew Neiderman - Tender Loving Care (1985)
Guy N. Smith - Cannibals (1986)
Guy N. Smith - Abomination (1986)
Guy N Smith - The Neophyte (1986)
Guy N. Smith - Satan's Snowdrop (1986)
Guy N. Smith - Doomflight (1986)

[

Heinrich Kramer & James Sprenger - Malleus Maleficarum [Translated by Montague Summers] (1986)
Andrew Neiderman - Imp (1986)
Gary Brandner - Carrion (1987)
Guy N. Smith - Alligators (1987)
Guy N. Smith - Locusts (1987)
Guy N. Smith - Bloodshow (1987)
Guy N. Smith - Demons (1987)
Guy N. Smith - Deathbell (1987)
George R. R. Martin (ed.) - Night Visions (Legend-Arrow 1987)
Ramsey Campbell - The Hungry Moon (1987)
Gary Brandner - Hellborn (1987)
Robert Faulcon - Night Hunter 6: The Labyrinth (1987)
Andrew Neiderman - Night Howl (1987)
Guy N. Smith - Accursed (1988)
Guy N. Smith - Entombed (1988)
Guy N. Smith - The Island (1988)
Guy N. Smith - Throwback (1988, 1990)
Guy N. Smith - The Master (1988)
Andrew Neiderman - Playmates (1988)
Guy N. Smith - The Festering (1989)
Ramsey Campbell - The Doll Who Ate His Mother (1988, 1990)
Christopher Fowler - Roofworld (1989)
Ramsey Campbell - The Influence (1989)
Joe Donnelly - Bane (1989)
Chriis Morgan (ed.) - Dark Fantasies (1989, 1990)
Ramsey Campbell - Ancient Images (1990)
Guy N. Smith - Carnivore (1990)
Gordon Honeycombe - The Murders of the Black Museum 1870-1970 (1990)
Herbert Lieberman - Shadow Dancers (1990)

Not been able to find dates for:

Gary Brandner- Howling II: The Return
Gary Brandner- Howling III: Echoes

Wheatley reprints in the 'eighties: source:
www.denniswheatley.info/denniswheatley.htm

The Devil Rides Out (1982, 1986)
Gateway To Hell (1981, 1983)
The Haunting Of Toby Jugg (1982)
The Irish Witch (1981 [twice], 1982, 1985)
The Ka Of Gifford Hillary (1983)
The Satanists - (1981, 1982)
They Used Dark Forces (1982)
To The Devil - A Daughter (1981, 1982, 1983, 1985)

[

From the first, I set myself against "literature"; the story was the thing, and no amount of style could persuade me to select a story that lacked genuine, unadulterated horror. For those who wanted something high-brow there was plenty. - Christine Campbell Thomson

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Arrow & Legend: 1980's Feb 23, 2009 11:01:47 GMT

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Post by David A. Riley on Feb 23, 2009 11:01:47 GMT

the late Bob Rothwell offers perhaps the fullest explanation for this extraordinary fall from public favour in this refreshingly honest appraisal of his hero's life and works, Dennis Wheatley – an Introduction (see the section entitled 'Out Of Print').

I remember wondering about this not long after Wheatley's death, when suddenly all those rows of Arrow paperbacks of Wheatley's seemed to disappear almost overnight. I had by then passed the fervour of my first interest in his books, having read all of his Black Magic novels, except The Satanist, which I have not been able to finish even to this day. It was almost as if interest in his books died with him, that only his living spirit kept them alive too as a saleable item in the bookshops. At least, from his perspective, it didn't happen while he was still alive!

I never gave any thought, till I read the article linked in your piece, Dem, about the lack of any honours being bestowed on him, unlike, for example, the knighthood recently awarded to Terry Pratchett. Writers, though, do seem to be fairly low down the ladder when it comes to such things, unlike actors, for instance. Perhaps it's because they're more likely to say things that don't go down well with the political establishment. Actors, on the other hand, tend to be political chameleons, at least in my view.

Of course, his fondness for writing about Black Magic could have had a lot to do with why he never received any sort of honour, even though he was always firmly on the side of right. Tainted by association, perhaps?

David

http://paralleluniversepublications.blogspot.com/

dem bones
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Arrow & Legend: 1980's Feb 23, 2009 13:03:13 GMT

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Post by dem bones on Feb 23, 2009 13:03:13 GMT

I don't mean to do either gentleman a disservice (!), but it strikes me that what happened to Wheatley is not so dissimilar to the abrupt termination of Benny Hill's "lovable cheeky chappie who captured the hearts of a nation" appeal once the more politically inclined alt. comedians migrated from the clubs to prime time television. Understandably, Wheatley's fierce patriotism, at times rabid xenophobia, and Reds-under-Beds hysteria was always going to be anathema to your clued-in, RAR supporting Clash fan, just as Benny's increasingly troubling approximation of a dirty old man was unlikely to go down well with those sympathetic to the feminist movement. But it's very strange how Wheatley's sales fell away that dramatically in so short a time. For all their insufferable snobbery and unhelpful lapses into party political broadcasts every couple of chapters, his best black magic novels are incredibly gripping yarns. I'd be very interested to know how the recent Wordsworth editions of The Devil Rides Out, To The Devil - A Daughter and The Haunting Of Toby Jugg have done in terms of sales!

As some of you will know, the cover designs were Bob’s creation, and - while it was too late for anything to appear in the first volume other than a brief acknowledgement on the back cover - we expect the second and third volumes to carry the following paragraph:

"The publishers would like to acknowledge the cover designs as the work of the late Bob Rothwell, who passed away December 2006, an enthusiast and renowned expert on Dennis Wheatley. He will be remembered by the many friends he made during years of dedication to raising the profile of Dennis Wheatley"

Let’s hope these three reprints are all an enormous success and others follow hot on their heels...

From Dennis Wheatley Info: Book News March/May 2007

From the first, I set myself against "literature"; the story was the thing, and no amount of style could persuade me to select a story that lacked genuine, unadulterated horror. For those who wanted something high-brow there was plenty. - Christine Campbell Thomson

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Arrow & Legend: 1980's Feb 23, 2009 14:12:39 GMT

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Post by franklinmarsh on Feb 23, 2009 14:12:39 GMT

The odd thing about Dennis Wheatley is that he is remembered for the Black Magic/Occult stories when they form such a small part of his prodigious output. I seem to remember him as some kind of spokesman wheeled out during the 1970s to warn against the dangers of dabbling with Dark Forces whilst simultaneously making them sound extremely attractive.

Seagram's 100 Pipers, please

dem bones
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Arrow & Legend: 1980's Feb 23, 2009 14:40:13 GMT

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Post by dem bones on Feb 23, 2009 14:40:13 GMT

Feb 23, 2009 14:12:39 GMT franklinmarsh said:

T I seem to remember him as some kind of spokesman wheeled out during the 1970s to warn against the dangers of dabbling with Dark Forces whilst simultaneously making them sound extremely attractive.

Very true, FM. Here's our man in top form talking to the Daily Express in June 1974.

Has anyone ever made Black Sorcery sound more glamorous and naughty?

From the first, I set myself against "literature"; the story was the thing, and no amount of style could persuade me to select a story that lacked genuine, unadulterated horror. For those who wanted something high-brow there was plenty. - Christine Campbell Thomson

franklinmarsh Slime Beast Authentic Shite Posts: 1,514	Arrow & Legend: 1980's Feb 23, 2009 14:45:51 GMT Quote Select Post Deselect Post Link to Post Member Give Gift Back to Top Post by franklinmarsh on Feb 23, 2009 14:45:51 GMT Fantastic! 62 books - of which about 7 are Black Magic stories. I heard no whispers. Nothing like a 'Sex and Drugs' headline to grab the attention is there?
	Seagram's 100 Pipers, please

dem bones
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Arrow & Legend: 1980's Feb 23, 2009 15:07:51 GMT

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Post by dem bones on Feb 23, 2009 15:07:51 GMT

Well, not so many of his novels touch upon Black Magic, it's true, but we shouldn't overlook the little matter of The Devil And All His Works, to say nothing of The Dennis Wheatley Library Of The Occult, however small his involvement in the series may or may not have been. But, above all this, I think it was probably the Hammer adaptation of The Devil Rides Out that did it for him as far as his being taken as an authority on the subject is concerned. I'll see if I can find some more salacious clippings from my News Of The World: Sin, Sex and Sorcery file!

From the first, I set myself against "literature"; the story was the thing, and no amount of style could persuade me to select a story that lacked genuine, unadulterated horror. For those who wanted something high-brow there was plenty. - Christine Campbell Thomson

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Arrow & Legend: 1980's Feb 23, 2009 18:45:38 GMT

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Post by andydecker on Feb 23, 2009 18:45:38 GMT

They sure had a fine line-up. I have some of the Smith´ and some of the Wheatley´s.

There is also the Holdstock as Faulcon. I loved this series, and it is long overdue for a re-read. I am a Holdstock fan and am curious if the series weathered the time. The first batch had terrific cover-art. The last one was just blah. (At least the edition I have) Seems the series ran in troubled waters, as the conclusion was published quite a few years later which I always thought quite odd after the effort to establish that as a series.

I will post the covers these weeks.

Writers today seldom write in Wheatley´s manner, this dense, thunderous style which needs a good attention span. As far as his politics goes. I really have to re-read this either as I have no clear memories of his rants. Guess today I would see this in a different light

I remember more that Guy Smith seemed to have something against hippies as often they got a mention as hateful squatters. (On the other hand, is there any Smith with sympathetic characters?)

Scans are from my personal collection if not noted otherwise.

Johnlprobert Slime Beast There's someone naughty in the attic... Posts: 1,631	Arrow & Legend: 1980's Feb 23, 2009 19:27:29 GMT Quote Select Post Deselect Post Link to Post Member Give Gift Back to Top Post by Johnlprobert on Feb 23, 2009 19:27:29 GMT I would have loved to have visited Mr Wheatley's 'comfortable Chelsea home' but not as much as I want to know what Dem's got in his News of the World: Sin Sex & Sorcery file.

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Arrow & Legend: 1980's Feb 23, 2009 19:36:24 GMT

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Post by pulphack on Feb 23, 2009 19:36:24 GMT

Two topics to touch on here. First, the broadening of Arrow as a paperback imprint in the eighties - in part due to the creation of Legend, which was an attempt to hone sales in the manner of John Jarrold's mighty Orbit imprint. And the other being because of a broadening into the areas of mid-list that they (Hutchingson -cum - Century Hutchinson) had seen more p/b oriented publsihers clean up with - hence the recruitment of Guy, Gary Brandner, etc. This was not entirely unconnected with their acquisition by the US giant Random whi, like all US publishers, knew the importance of paperback revenue when h/b markets and sales were in decline (less bookclubs and library sales, along with more punters turning to the p/b as first choice).

Second. the late great mr Wheatley. Just read Bob's summation, and can't agree more. I think both Dem and Andy have made good points, too. Wheatley had been MASSIVELY important to Hutchinson with over forty years of great sales, but his death co-incided with a change in the culture of the UK. Thatcher polarised the country politically AND culturally, and with the left-leaning factions taking over the media as they had no other powerbase (alright, I'm generalising, but stick with it - and to be honest, I would have been one of them back then), then the pendulum would swing the opposite way with no discretion. Benny Hill suffered for this, and although I do tend to agree with the view of him as a sexist git (ignoring the great clowning that didn't feature girls, and is forgotten), he wasn't the pariah he was painted. The same is true of Wheatley. The politics were singled out, no matter that he was far more complex (as Bob's piece detailed) than the simplistic view would have it.

Add to this that his style was old even when he began, and he had no chance. His heavy, expositionary and editorial style was very victorian and edwardian, and seems heavy even next to his contemporaries. 'Classic' writers of the nineteenth century are revered for this (eg Dickens and Henry James, to name two disparate stylists who have this in common), but it was frowned upon in writers of the early twentieth century. Now, it may be different. Then...

Why writers fall out of print is a funny one - look at John Creasey - about 560 books, huge sales (about 20million in total, I think) , yet five years after his death all but deleted from history. Despite creating the multi-strand police procedural novel with his Gideon series, and showing the likes of Ed McBain (by his own admission) the way ahead. Interestingly, he had quite an expositonary style, too.

Fleming, on the other hand... I mention him as you did, Dem, and I think the key here is that he had a very lean style. Bond was a simply drawn character, easily assimilated. The films were huge (and in truth the really big sales only began after Sean Connery first smiled in a tux). Bond was given a brand-name fetish that touched a nerve with the new consumer age. And the Fleming family were excellent at turning the books into a business. Wheatley and Creasey had no-one to do this.

The exposure of film. The identification with brands. And the spare prose, easily translated, easily read (the key to Agatha Christie's continued success, too). Things Dennis and John did not have.

Mind you, both have their estates owned by literary merchandisers now (Chorion for Wheatley, Owatonna for Creasey), so it'll be interesting to see how they re-brand these writers for now - horrible term, I know, but sadly the only way to think in terms of getting them back on shelves.

And important. For, despite the views of some I've read on here, publishers prefer dead or old authors to new ones. Less hassle to break. Less hassle to work with. Cheaper a lot of the time, too, to promote and sign.

dem bones
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Arrow & Legend: 1980's Feb 23, 2009 20:56:35 GMT

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Post by dem bones on Feb 23, 2009 20:56:35 GMT

Feb 23, 2009 19:27:29 GMT Johnlprobert said:

I would have loved to have visited Mr Wheatley's 'comfortable Chelsea home' but not as much as I want to know what Dem's got in his News of the World: Sin Sex & Sorcery file.

I might just treat you to some of the vintage News Of The Screws classics in the not too distant, your Worship, but will have to be a bit careful how I go about it. Some of the 'Satanists' (strictly Toytown variety) who fell over themselves to be 'exposed' were , uh, *known* to me in my pre-Vault incarnation - i ain't just a pretty face, you know

- and, as it's taken me forever to get the perishers out of my life, i'm in no rush to invite 'em back! But the News Of The World (in "undercover investigation" mode), the mighty Tit-Bits and, on occasion, the Sunday People were terrific at this stuff and I'd love to see their combined greatest hits reproduced in a well sleazy coffee-table book!

I like that these boring list threads have become a proper group effort and am especially grateful for your insights into the murky world of publishing, mr. hack. That world is still a terrifying mystery to me, but slightly less so thanks to the crash course in the recent-ish history of the game and the all-important background detail i'm picking up from you and the consistently eye-opening articles in Paperback Fanatic. But don't you think Wheatley was branded to an extent? As FM mentions, the Black Magic stuff forms "such a small part of his prodigious output", but that's what he was famous for. It seems he didn't really have much involvement in Sphere's Library Of The Occult series, but you can bet they were delighted they could put his name to it.

Incidentally, have you read Charl's Beck's Bob Rothwell: An appreciation on the Wheatley site? You should. You really should. A 'modest' man doesn't do him justice!

Later:

A fetching facsimile for you to be getting on with, Lord P. If anyone wants a copy they can actually read, pm me and i'll email it your way. Much guilty hilarity guaranteed!

Ah, that "Writhing Tart" does me in every time! I can't help thinking that Wheatley would have approved. Must give the dear old NOTW & Co. a thread to themselves ....

From the first, I set myself against "literature"; the story was the thing, and no amount of style could persuade me to select a story that lacked genuine, unadulterated horror. For those who wanted something high-brow there was plenty. - Christine Campbell Thomson

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Arrow & Legend: 1980's Feb 24, 2009 2:57:50 GMT

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Post by marksamuels on Feb 24, 2009 2:57:50 GMT

I've got the other version of that John Russo book; which is an original zombie novel with the same title, different cover, and which was never filmed. It's pretty good, if you're a zombie nut like me. I first bought it at a WH Smiths in the Elephant & Castle shopping Centre...

I'll have to scan the cover, if no-one else has it, when I'm back home (not too long now, provided the Santa Muerte-worshipping NarcoSatanists of Mexico City don't hack my head off first).

And Dem! Don't go down that grim 70's North London cemetery hijinks road... you know what I mean.

Mark S.

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Arrow & Legend: 1980's Feb 24, 2009 3:03:21 GMT

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Post by marksamuels on Feb 24, 2009 3:03:21 GMT

Sorry, I meant to add that Wheatley (for me) only really hit top form with The Devil Rides Out, which is great from start to finish. To The Devil A Daughter is worth having for the scene where Rev. Copely (??) appears two-thirds in. He was based on Monty Summers wasn't he?

I didn't get on at all with The Irish Witch, Unholy Crusade, etc. They rather put me off reading much further. I passed up the chance to buy The Satanist for a modest price around six months ago. I flicked through the tome in Ripping Yarns bookshop in Highgate and it looked like another "90% action thriller-but-passed-off-as-90% black magic horror" effort.

How is They Used Dark Forces? Is that any good?

Mark S.

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Arrow & Legend: 1980's Feb 24, 2009 8:47:03 GMT

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Post by franklinmarsh on Feb 24, 2009 8:47:03 GMT

Feb 24, 2009 3:03:21 GMT marksamuels said:

Sorry, I meant to add that Wheatley (for me) only really hit top form with The Devil Rides Out, which is great from start to finish. To The Devil A Daughter is worth having for the scene where Rev. Copely (??) appears two-thirds in. He was based on Monty Summers wasn't he?

Mark S.

When the old place started Dem and I had a go a DWs BM (ho ho) stuff. I got in quick The Devil Rides Out, TTD-AD and The Satanist. It's quite amazing how they deteriorated. The Devil Rides Out was first one up (1934?) and was easily the best, a terrific story that moves at tremendous pace. TTD-AD has its moments but slows down and is more adventure. The Satanist proved to be more of an endurance test. I've a copy of They Used Dark Forces so really should give it a go. I've read it once ages ago and seem to remember it more as a wartime action adventure than a Nazi Devil Worship fest.

Seagram's 100 Pipers, please

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Arrow & Legend: 1980's Feb 24, 2009 10:37:06 GMT

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Post by dem bones on Feb 24, 2009 10:37:06 GMT

Maybe the nearest he came to another The Devil Rides Out is Strange Conflict (1941), De Richleau and his cronies reunited versus powerful Satanist Doctor Saturday. Includes one of his finest set-pieces - a truly creepy zombie sequence - and Wheatley is on top form throughout (with all that entails....). Whereas the later novels often suffer from bloat, he gets ..... Conflict done and dusted in just over 300 pages and it's all the better for it. Of less obvious appeal perhaps, the final De Richleau foray into the dark occult, Gateway To Hell (1970), is one of my all time favourite 'bad' books, 250 pages that took me about a month to finish, terrible read from cover to cover and highly recommended.

They Used Dark Forces ..... it's been a long time, but I think this falls into the "90% action thriller-but-passed-off-as-90% black magic horror" category, Mr. S. Gregory Sallust and master hypnotist Ibrahim Malcour on a mission to knock out a German secret rocket base. If I remember correctly, which i almost certainly don't, Sallust actually breaks into and escapes from a Concentration Camp at some point? Real nasty bit when Malcour reads a German girl's future and realises she's destined to be gang-raped by the invading Russian army .... The 500 plus pages probably account for my never having mustered sufficient enthusiasm to revisit it.

And yes Mark, Wheatley modelled his Satanist Canon Copely-Syle on Summers. In his essay, Black Magic, Wheatley recalls;

"... He was, to say the least, a curious character. Rumour has it that he was not, in fact, a priest. My wife and I went to stay at his house for a weekend. On the ceiling of our bedroom, we found a score of enormous spiders. When I mentioned this, he replied only, 'I like spiders'; and in his garden my wife came upon the biggest toad she has ever seen. He tried to sell me a rare book. When I refused to buy it, I have never seen such malefic anger come into the eyes of any man. We made an excuse to leave on Sunday Morning"

Of course, it's not entirely unfeasible that Summers tailored his performance to suit his need, i.e., disencumbering himself of the insufferably pompous Wheatley at the earliest convenience. Or maybe he was just plain barmy.

From the first, I set myself against "literature"; the story was the thing, and no amount of style could persuade me to select a story that lacked genuine, unadulterated horror. For those who wanted something high-brow there was plenty. - Christine Campbell Thomson

Post by dem bones on Feb 23, 2009 10:02:33 GMT

Post by David A. Riley on Feb 23, 2009 11:01:47 GMT

Post by dem bones on Feb 23, 2009 13:03:13 GMT

Post by franklinmarsh on Feb 23, 2009 14:12:39 GMT

Post by dem bones on Feb 23, 2009 14:40:13 GMT

Post by franklinmarsh on Feb 23, 2009 14:45:51 GMT

Post by dem bones on Feb 23, 2009 15:07:51 GMT

Post by andydecker on Feb 23, 2009 18:45:38 GMT

Post by Johnlprobert on Feb 23, 2009 19:27:29 GMT

Post by pulphack on Feb 23, 2009 19:36:24 GMT

Post by dem bones on Feb 23, 2009 20:56:35 GMT

Post by marksamuels on Feb 24, 2009 2:57:50 GMT

Post by marksamuels on Feb 24, 2009 3:03:21 GMT

Post by franklinmarsh on Feb 24, 2009 8:47:03 GMT

Post by dem bones on Feb 24, 2009 10:37:06 GMT